About Susan:

“There’s two ways to do it,” I remember my school teacher saying. “Unjoined-up, and joined-up. Joined-up is faster.” That’s the one I need to learn, I thought, if I’m going to get all these stories down.

I’ve still got boxes and boxes of them (including a full-length novel I wrote at the age of 10¾ — that one’s definitely staying in the box). I decided I should read everything that had been written so far, which eventually led to a degree in English Literature at Downing College, Cambridge.

From there to the Bat’a shoe factory in Bratislava, Slovakia, where me and my friend Lou taught English to the factory workers. Not having return tickets, we persuaded two of our students to sell us their racing bikes. Then we bought a couple of leather satchels (no such things as panniers in Prague in 1992), asked our students to run us up a pair of trainers (which they did, overnight), then cycled back from Prague to London.

A year later, I followed Will to Venice Beach, and discovered that I loved the desert. With the stories I wrote in LA, I was accepted on to the MA in Creative Writing at UEA (thank you, dear Will.) Here, I began a story about a man raising his daughter in the American south-west. When the MA was done, I went in search of my characters and found them, doing handstands and eating ice-cream, just outside Tucson, Arizona. Sunset over Chocolate Mountains went on to win a Betty Trask Prize and be shortlisted for the Orange Prize.

In the years that followed I worked as a freelance journalist – general features, garden design, travel pieces, book reviews – for all the major papers and magazines. I discovered that I liked to teach. And at some point I went to visit Heather in Australia, where I fell in love with another harsh and difficult desert landscape… My second novel, The Voices, was shortlisted for the inaugural Ondaatje Prize for “books which evoke the spirit of a place”. One day, driving along the M4, Ian Jack called to tell me I’d secured a place on Granta’s Best of British Young Novelists. I nearly crashed the car.

Meanwhile, my friend Ella and I found the dramatic rise in popularity of the self-help book alarming. What about the joys – and solaces – to be found in fiction? Besides, there’s nothing in life that someone, somewhere, hasn’t already been through in a novel (and probably worse) – you just need to know where to look. We called up the philosopher Alain de Boton. Having just written How Proust Can Save Your Life, he agreed. We opened our Bibliotherapy Service in the basement of his new School of Life in 2008. Later, we took our literary remedies on the road in our vintage ambulance.

By this time I had met Ash – a neuroscientist who valued a well-chosen word. In 2009 we moved with our young son first to Toledo, Ohio, and then to New Haven, Connecticut. Ella and I continued to collaborate, gathering our cures into two bibliotherapy books – a blessed time, especially as we both had young children to read to. For several years, Ella and I became spokespeople for the importance of books and reading, and were often interviewed on the radio and in the press (such as here in The New Yorker).

We returned to England and settled in Somerset in 2017. I continue to teach (I still love it). Our son has grown very tall. And Ash has learnt that sometimes I need to take myself off to the hut at the end of the garden because I have stories I want to get down. Sometimes, in joined-up.

CONTACT

For book-related things, get in touch with Susan’s agent, Clare Alexander, at Aitken Alexander Associates: clare@aitkenalexander.co.uk

For journalism, get in touch with Susan direct at hello@susanelderkin.com


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